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臺中國家歌劇院「2022 LAB X青年創作工作室」舞蹈跨域成果分享會

Embodying

Audio-Visual Installation, Performance.

平常可見的畫面其實是由光移動的路徑,從點到線、線到面而組成。例如一個頻閃的畫面,其實是光的粒子快速移動殘留的痕跡。如此,是否光的動態其實都是有具有節點的,只是以肉眼無法察覺的速度,讓人覺得是緊密流動的?

這次的實驗起源於在《後人類時代》中由人機關係探討身體是什麼,身體的界線為何。如果萬物皆可被視為一種身體,那光的身體是什麼?光的波粒二象性讓這個問題從開頭便複雜難解。於是我選擇從純粹觀察的角度,將光的構成拆解成點、線、面,並加入舞者以人的身體,藉由模仿、延伸、衝突等反應,記錄下光的身體對系統造成的改變。不只因光需要介質,而如同兩個陌生人相遇,會藉由觀察與對話產生感受,用感受歸類彼此在心中的定位。

An ordinary image is actually the path of light traveling from point to line and line to surface. For example, a flashing image is a trace of rapidly moving light particles. In this case, does all the dynamics of light have a nodal point, but at a speed that is imperceptible to the naked eye, giving the impression of a fluent flow?

This experiment was inspired by the book “HOW WE BECAME THE POSTHUMAN”, which explores what the body is and what its limits are. If everything can be considered a body, what is the body of light? The wave-particle duality of light has made this question complex from the beginning. Therefore, from the perspective of pure observation, I decided to deconstruct light into points, lines, and surfaces to examine the changes in the system caused by the body of light through imitation, extension, and conflict with the dancer’s body. Not only because light needs a medium, but also like when two strangers meet, they will generate feelings through observation and dialogue, and use their feelings to categorize each other's position in their hearts.

發表日期:2022/11/19
發表地點:臺中國家歌劇院排練室

導師|梅田宏明
共同創作、編舞、舞者|曾淯婷
共同創作、裝置設計|林映辰
音樂設計、現場演奏|曾宥勝
主辦單位|臺中國家歌劇院
版權:照片提供「臺中國家歌劇院」,攝影:林峻永、康志豪

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